Proust Was a Neuroscientist

Proust Was a Neuroscientist Books

Proust Was a Neuroscientist

  • ISBN13: 9780618620104
  • Shape up: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

Product Description

In this technology-driven age, it’s tempting to judge that science can solve every mystery. After all, science has cured countless diseases and even sent humans into space. But as Jonah Lehrer argues in this sparkling introduction, science is not the only path to knowledge. In fact, when it comes to understanding the brain, art got there first.
Taking a group of artists — a painter, a poet, a chef, a composer, and a handful of novelists — Lehrer shows how each one exposed an essential truth about the mind that science is only now rediscovering. We learn, for example, how Proust first exposed the fallibility of memory; how George Eliot exposed the brain’s malleability; how the French chef Escoffier exposed umami (the fifth taste); how Cézanne worked out the subtleties of thought; and how Gertrude Stein exposed the deep structure of language — a full half-century before the work of Noam Chomsky and other linguists. It’s the ultimate tale of art trumping science.
More broadly, Lehrer shows that there is a cost to reducing everything to atoms and acronyms and genes. Measurement is not the same as understanding, and art knows this better than science does. An ingenious blend of biography, criticism, and first-rate science writing, Proust Was a Neuroscientist urges science and art to listen more closely to each other, for willing minds can combine the best of both, to brilliant effect.
Amazon.com Review
Amazon Significant Seven, December 2007: Proust may have been more neurasthenic than neuroscientist, but Jonah Lehrer argues in Proust Was a Neuroscientist that he (and many of his fellow artists) made discoveries about the brain that it took science decades to catch up with (in Proust’s case, that memory is a administer, not a repository). Lehrer weaves back and forth between art and science in eight graceful portraits of artists (frequently writers, by the side of with a chef, a painter, and a composer) who understood, better at times than atomizing scientists, that truth can start with “what reality feels like.” Sometimes it’s the art that’s most reminiscent in his tales, sometimes the science: Lehrer writes about them with equal ease and clarity, and with a youthful confidence that art and science, long divided, may yet be reconciled. –Tom Nissley

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